What's in a Name?

Ever since I read Cliff's blog about a story he wrote using a pseudonym he refuses to reveal (the tease), I started thinking about my own nomme de plume. Like Clifford, I've considered branching out into new territory, but would need a new name to go there. (Also like Cliff, said territory will remain unnamed, but let your own imaginations take you where you will.)

I was pondering this dilemma while checking my email when by the grace of God and Spam, two beauties fell right into my inbox: Ernestina Whoppingpenis and Clyde Thunderstick.

Now if only I could decide between the two...

On a more serious note, his idea of a complete, edited and submitted short story per month was a pretty good one. Ambitious, but not impossible. Go, Cliff! :)

Anybody else have writing goals for this year that they'd like to share?

I Spy Sci-Fi

These items from recent news highlights:

Residents become ill after meteor crashes - http://news.yahoo.com/s/afp/20070918/sc_afp/peruhealthoffbeat

Britain approves creation of hybrid human-animal embryos for research - http://news.yahoo.com/s/nm/20070905/sc_nm/britain_embryo_dc

Don't you see the makings of sci-fi/horror there?

Anyhoodles, just finished a really good book last night. A MANKIND WITCH was fun, but was not on the level of this one. Once more, I accidentally brought home the last book of a series, but since I was desperate, I went ahead and read it. I didn't really need to read first two to understand the third, but I'm going to go pick them today just because I loved this guy's writing style. Here's an example where he describes a hunter's dog from a demon's point of view:

That dog, potential insanity on four legs, can be as calm as a dreamless sleeper until danger drops from the trees and then his placid, near-human smile wrinkles back into a snapping wound machine. The crafty beast learns to lunge for my brethren's unprotected areas--wing membrane, soft belly, groin, or tail. I, myself, witnessed that hound tear of an attacking demon's member, slip through its legs, and then shread a wing to tatters in his escape. He has an uncanny sense of certainty about him in all situations, as if in each he is like a dancer who has practiced that one dance all his days. Wood reads Cley like a book, understands his hand signals and the subtle shifting of his eyes. There is no question he will die for the hunter, and I am convinced he will go beyond death for him--a guardian angel the color of night, muscled and scarred and harder to subdue than a guilty conscience.

Doesn't that just perfectly capture the essence of dogs?

The book? THE BEYOND
The author: Jeffrey Ford

Are You Up/Down with That?

Since some of you don't have subscriptions to the Romance Writers Report, I thought I'd share some gems on self-editing by Jeannie Eddy from this month's issue.

I have to admit, I've been guilty of many of the following.

(some examples mine to save space)

1. A word that you don't need.

See how many unnecessary "that's" are in your work. Could you leave some out?

Example: "It was an annoying habit that she had that signaled to him that she was tired."

"It was an annoying habit she had, signalling she was tired."

2. Are you in, out, over, up or down?

These directional words can often be deleted.

Example: He looked down into her eyes.

He looked into her eyes.

3. Finally, suddenly, you can improve your writing - by deleting finally and suddenly.

Example: Suddenly a boat appeared on the horizon.

A boat appeared on the horizon.

4. I feel you should stop telling me how the characters feel.

Example: Helen felt angry enough to hit John.

Helen's hands balled into fists as she stared at John.

5. It even seems like I have more to tell you.

Example: She didn't even know where to look.

She didn't know where to look.

6. You are almost ready to finish your book.

Read through your manuscript to see how many times you use "almost." Do you say "He was almost afraid to say something?"

Was he or wasn't he? You and your reader should know for sure.

Help, please

I know there are some baseball fans out there (Stewart, Jon?) and while I've done some research for a story I'm working on, I can't find the answer to the burning question: do baseball players still wear cups?

I know that kids' baseball requires them, but from what I can gather so far, that may not be true for adult players. Is it only pitchers now? No one? Anyone who wants to, according to preference? Inquiring minds want to know.

I'm mainly concerned with the habits of local, amateur teams--you know, the ones sponsored by Joe's Bar & Grill type teams. It's actually a rather important plot point since the heroine and her best friend decide which team won based on the cups the players are wearing and how well their pants fit. Are the cups and jock straps one size fits all? How does a soft cup differ from a hard cup? I've only seen the hard ones. (No comments, please.)

Ok, any help would be appreciated. Thanks. :)

News, Reviews and Whatnot

Well, I'm not going to review the last Harry Potter just yet. Maybe not at all. I'm still in mourning.

However, I also recently read the following:

LAMB, THE GOSPEL ACCORDING TO BIFF, CHRIST'S CHILDHOOD PAL by Christopher Moore, which managed to be hysterically funny and poignant at the same time. The story is as the title would suggest, the "untold tale" of Jesus' boyhood narrated by his childhood friend Levi, aka "Biff." Though there were a couple of places I felt dragged a bit, overall, Moore's writing style is so smooth that I was pulled along with the flow of the story and was sorry when it ended. I highly recommend this one as long as your religious sensibilities aren't easily offended. In fact, I think the quote by Voltaire in the beginning of the book is excellent: "God is a comedian playing to an audience that is afraid to laugh." It made me wish the story were true.

ASHES TO ASHES by Jennifer Armintrout. This was the third in her "Blood Ties" series about a doctor turned vampire, and I've liked them all so far. I like that her heroine, Carrie, is not always perfect--she makes some questionable choices at times, but Armintrout sets up the background and characters in such a way that her choices are not only believable, you can sympathize with them even if you think it may not have been the wisest thing. Overall, I recommend the series if you like horror, romance and erotica all in one book. :)

THE UNFORTUNATE MISS FORTUNES by Jennifer Crusie, Eileen Dreyer, and Anne Stuart. I picked this book up about three magical sisters, expecting it to be neatly divided into the three sections by the three different authors, but to my surprise, it was told as one tale. It was a credit to the authors and editors that this book unfolded so seamlessly. Recommended if you like romance, humor and magic.

Now, in the "shameless self-promotion" category, Cimorene at Enchanting Reviews read my story and had this to say:

Unmasked – Kate Sterling

4 Enchantments

When Morgan receives an invitation to the ball on Arcadia Island, she knows the wish she wants granted: to have one more night with the love of her life… without hurting his wife.

The goddess Aphrodite sees fit, however, to throw a stumbling block in Morgan's way. She has to find Derek before midnight, at a masked ball!
Instead, Morgan finds Brianna and Marcos, a married couple whose relationship is on the skids, and Morgan wants to help them spice it up. But when the couple is unmasked the next morning, Morgan has to decide if she's going to run, or live with her new love.

I'm not much into erotica myself, but Ms. Sterling handles it excellently, making this story tastefully spicy. While there seemed to be a bit of a flow issue in the beginning, it quickly straightened out after Morgan and Brianna met.
Ultimately, this is a good read and definitely adds to the character of the book!

....My overall opinion of the book is that it is a fabulous collection of works by some very talented authors. I can't wait to read more of the Masquerade Series, and see what other gods make their debuts.

A must-read for anyone who wonders what the ancient ones might be up to today!

Cimorene
Enchanting Review
=================
When I have the link to the full review, I'll post it.

On my current, ever-growing "to be read" shelf are: "Industrial Magic" - Kelley Armstrong; "Swords of Talera" - Charles Allen Gramlich; "High Seas Cthulhu" - Stewart Sternberg; "Apocalypse Woman" - Tyree Kimber; and "Hellblaze" - Yolanda Sfetsos.

So, what have YOU been reading lately?

For your enjoyment....

I received this from my friend Amber today:

http://foamy.arthemys.net/Foamy/Form_Letter.html

Publishers

I also posted this on my other blog, since dingbat that I am, I thought I was posting it here - but nevertheless, here you go... :)

Since a few male (and non-romance writing) readers have suggested lately that they might try their hands at romance and/or erotic romance, I thought I’d list a few publishers here.

Note: None of these publishers require agents to submit, and some are also open to genres other than romance.

In alphabetical order:

Aphrodites Apples (new e-publisher; they published my story “Unmasked” in their Masquerade anthology, volume 3. I’ve found them to be very nice and responsive - a fun group of women currently run this company)

Aspen Mountain (e-publisher of most genres)

Avon (large mainstream publisher of “large” romance - usually historical romance)

Cerridwen Press (e-books & paperbacks of most genres - the non-erotic offshoot of Ellora’s Cave)

Changeling Press (e-publisher of all genres of erotica - (romance/horror/sci-fi/fantasy, etc.) have been around a few years)

Cobblestone Press (e-pub, mainly romance & erotica)

Dorchester (large mainstream publisher of most genres of romance)

Ellora's Cave (e-books & paperbacks of erotic romance - was one of the first and largest publishers of romantic erotica in e-book form)

eXstacy eBooks (e-publisher of erotica and erotic romance)

Harlequin (large, mainstream, many imprints and “flavors”)

Juno Books (small, mainstream with focus on strong female characters - publishes mainly fantasy - not really romance, though can have romantic elements - their books look really interesting.)

Kensington (large mainstream publisher of most genres of romance)

Medallion Press (small mainstream - current openings many genres)

Mundania Press (small mainstream publisher - closed for submission until later this year - but check back)

Penguin-DAW (large mainstream publisher - this particular imprint of Penguin publishes fantasy and sci-fi, also with romance - you can check their ROC imprint as well for guidelines.)

Phaze (e-publisher of erotica/romance - been around a while)

Quanum Kiss (e-publisher of short romances - pays flat $10 for each accepted submission)

Quill Pen (online pulp fiction magazine)

Red Sage (mainstream publisher - paperback erotic romance)

Samhain Publishing (mainly e-pub, but also some paperback, most genres with a lot of focus on erotic - currently only open to special themes so check their website for details. I have friends published with them, I’ve had exchanges with them also, and they seem very nice.)

Sourcebooks (small mainstream publisher, currently open to most genres of romance; also publishes non-fiction)

Stardust Press (new e-publisher - publishes most genres, though currently seems focused on erotic romance)

Tiger Publication (small, new mainstream publisher, but seem responsive & with big plans)

Tor-Forge (large mainstream publisher of sci-fi, fantasy and paranormal romance)

Triskelion (mainly e-pub, but also some paperback, most genres with a lot of focus on erotic romance - also currently actively looking for horror, fantasy and graphic novels)

Twighlight Fantasies (new e-pub of erotic romance)

Whispers (new e-publisher of erotic romance)

Whiskey Creek Press (e-publisher of mainly erotic romance)

First Line Assignment

I took Lucas's first line challenge. The results are posted on my Sterling Sternberg Assignments blog if you want to see it. (I think I'm going to have to rename that blog to Sterberg/Lucas assignments...)

Rejection

A sucky fact of life - from dating, to job interviewing, to publishing - we all have to deal with rejection at some point or another.

Here's a helpful instructional video to ease the writer's blues. You may want to have pen and paper handy to take notes.

Rejection Letter Response

Fraud

Charles recently blogged about the assumptions people make about writers. Though I could relate to all of the assumptions on his list, the one about writers being great party guests because of their witty repartee was one that really struck home. It happened again today.

I made a comment today (without thinking) about publishing in a room full of people and suddenly I was the center of attention. Not my favorite place to be. In the blink of an eye, I went from unassuming, middle-aged mom to an expert on writing, had lots of great stories to tell, knew every famous writer in the world personally, and must be working on a fabulous, famous series.

The fact that I ran screaming from the room didn't deter them. They followed me to the elevator, which was too darn slow in arriving for a quick getaway. I considered sprinting for the stairs and jumping over the railing, but the arthritis in my ankles was acting up. I was trapped. I spent the next few minutes stuck in a 4x4 cube explaining that I didn't know "so-and-so" and I don't know how to get started writing screenplays (Sidney, I gave them your dad's number if they have any more questions.)

To give these people credit, they were extremely nice and just excited for me, but I felt like a fraud. I managed to dodge a few questions that I didn't want to answer, yet the overall experience was very embarrassing. I'll have to watch what I say more carefully from now on.

At least, until I really do know "so and so", am raking in millions, have great connections and my series is an international best seller. Which should be, oh, any day now. :)

Get Real

I've probably whined--I mean, blogged--about this before, but one of Steve's recent blogs and something I did the other day brought it up again.

See, I've been looking through my many works-in-progress, trying to figure out which one to focus on (get out of my lazy funk and finish something already) and I came across something interesting. I hadn't touched a number of my files for some time, and some of the ones I'd remembered as being good, were fairly blah--a few even downright bad. But there was one that I remembered as being boring crap, which actually held my attention and made me care about the characters in just a few pages. I was surprised, because I had abandoned that work some time ago on the basis that it was too boring.

After some contemplating, I realized why I thought it was much better than the others upon re-reading. It was written from real emotion, based on deep feelings that I had experienced, and that made it ring true. The situation was complete fiction (a selkie and a summer cottage) but the emotion was real, and that made all the difference.

Everywhere, I find the advice to "dig deeper" - go for the gut emotional appeal. It takes courage to do that. I find it very hard (being such a coward and all.) I've abandoned other works because the emotional toll was so great, and I'm a little suspicious that may have been what was truly behind my abandoning the selkie story. It wasn't boring - it was painful.

So I applaud those of you who dig deep, look closer, pull out the hard truths and put them out there for everyone to see. Good on ya.

Turn to Page 123

Some other blogs I read (Amy Knupp, Edie Ramer, Michelle Diener) have a tag going on that I found interesting.

The premise is this:

You turn to page 123 in your work-in-progress. (If you haven’t gotten to page 123 yet, then turn to page 23. If you haven’t gotten there yet, then get busy and write page 23.) Count down four sentences and then instead of just the fifth sentence, give us the whole paragraph.

Now, I'm not going to be so cruel as to tag people, but I'd love to see what you're all working on, so if you'd care to share, please do so. I'll get it started by posting the paragraph four sentences down on page 23 of one of mine (called Chimera Falls).

(It's rather a shame where this landed, because I love the bit just before it, but I'm following the rules here.)


---------------

The door opened immediately and Bernie’s head appeared. “Honestly, Meghan, why in the world didn’t you just knock on the door instead of yelling like that?” Her aunt looked up and down the street quickly as she opened the door a little wider. “The whole neighborhood probably heard you, and here I am trying to tell everyone you’ll fit in just fine…” she grabbed Meghan’s arm, “now don’t just stand there gaping at me, come inside.”

---------------

Your turn!

Block Busters

Instead of working this morning as I was supposed to do, I went blog-hopping. (I figured, hey, the only reason I have to work on a weekend is because no one else did their job on time so that I could do mine, plus, it's only Saturday so I've still got tomorrow, so, well, screw it.)

Anyway, Spyscribbler's blog had a link to this blog about breaking through writer's blocks. Among the comments there were the usual prats who said they never had it, but there was also some useful advice, and this bit:

------------------------

"CREATIVITY" by Martha Graham

There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one you in all time, this expression is unique. If you block it, it will never exist through any medium and be lost. The world will not have it. It is not your business to determine how good it is; it is your business to keep it yours, clearly and directly, to keep the channel open. You do not even have to believe in yourself or your worth. You have to keep open and aware directly to the urges that motivate you. Keep the channel open. No artist is pleased. There is no satisfaction whatever at any time; there is only a strange, divine dissatisfaction; a blessed unrest that keeps us marking and makes us more alive than the others.

--------------------------

Over the past year, I've come in contact with several writers--some in real life, some on the Internet--and most of us seem to suffer the same insecurities and doubts. Some of us wonder if we're wasting our time, if we're any good, even if we should even be writing at all; others believe in their writing but not their ability to market it. Some want to share their stories with everyone; others don't want to share at all. Others, like myself, tend to drift in and out of those all those feelings and more.

Today, I read a short post on a blog that left me in awe of this man's ability to write: Jon Zech. I immediately looked to see if he had books published, but from what I could surmise, he tends to fall into the "only share once in a while" category. That made me sad. I'd like for the world to see his work. I want to publish him. Him, and so many others.

We all have our unique perspectives, our stories to tell. Let's not keep them to ourselves, even if we do think they're less than perfect. I'm glad I finally managed to write some more last night, even it was only 700 words. It's about time.

In an Odd Space

Discombobulated, waiting for the meds to kick in. Cold hands on the keyboard, eyes throbbing with the beginning of a migraine. Wants to write, but can't think.

Must be the disappearance of Wayne.

I want to write something different, something to match my bizarre mood, yet I'm afraid it will be impossible. I think it has something to do with the space-time continuum shifts as Wayne and Stewart face off in the multiverse. Ice storms, electrical malfunctions and extreme lack of focus are the fallout in our world.

Para Porn

Well, I got my first pre-release review today.

Even though I was a little huffy about the UK article that referred to paranormal romance as "para porn", I will freely admit that in my case--with this story--it sorta fits. And I make no apologies. *g*

Here's the link if you'd like to read it. Masquerade 3 Review

It was a little embarrassing, though, because my daughter and one of her friends were standing over my shoulder when I read it. I wasn't expecting the explicit references to the story as they were laid out, so you can imagine my horror when they started screaming "Oh my god, MOM! You wrote about a threesome?!"

Oh, well. Cat's out of the bag now. Yikes. I suppose I can expect a visit from child welfare any day now.

Good News for Horror Writers

Got this article in an email today:

Why horror writing will be big in 2007

Though I must admit to being a little ticked off by their reference to what they sneeringly called "Para Porn" - paranormal romance. Snots.

Questions...

1. Do you ever buy short stories in print?
2. Do you like reading them?
3. Writing them?
4. Do you like anthologies?
5. Do you prefer anthologies of stories by the same writer, or a group of different writers?
6. Do you ever buy single short stories in e-book format?
7. Have you ever purchased ebook anthologies?
8. Do you hate short stories or anthologies, or have strong opinions about why you'd rather buy a novel?

Just gathering information because I'm still working on that publishing business... :)

How Do You "See" Your Characters?

I read Michelle Diener's blog this morning, and her post about having a soundtrack for her books was interesting - what struck me most, though, was the comment by Edie who said she didn't "see" her characters when she wrote, she "heard" them.

It made me wonder how other people experience the scenes and characters in their books. I've been guilty of expecting everyone to be like me: I see (and consciously try to feel) everything in my head, then have to try to translate that into words. It didn't occur to me that other people might experience it differently. (Duh)

I wondered if the differences could be traced along learner styles: aural, kinesthetic and visual. I'm a strong visual learner with feeling/doing coming in second place - almost no auditory involvement at all. In fact, my daughter was aggravated with me last night because I couldn't understand what she was reading to me unless I looked at it myself.

So now I'm really curious -- how do you experience the characters and scenes you write about? Do you see them? Hear them? Feel them? Something else?

Inquiring minds want to know. Can you see a correlation to your learning style?

Cover

Well, I got the cover to the anthology during the "break" I took this week. Here it is: Masquerade

So, how has everyone been lately? I've been lurking about (fortunately, no arrests) but haven't had time to comment much.

Just 'cause I'm tired and grouchy and it's been a long week...

If I read on one more braggart's blog that he/she has never suffered from writer's block, I'm going to hunt 'em down and slap 'em.

Yeah, I said it. And I ain't askeered o' you.